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Making and living in a post-industrial landscape / time-space

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Mattila, P (2013) Making and living in a post-industrial landscape / time-space. Research Master thesis, University of Tasmania.

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Abstract

The project is a combination of practice as research based investigation, and material
outcomes in the form of steel objects. The process of this research, which included
travelling to the United States to interact with my contemporaries and the steel craft
industry, highlighted for me the interconnectivity of three elements of making. These
three elements articulate my experiences of practice as research, in a textual form, and
add to the explanatory component of my project; they are:
Lineage: The passing on of knowledge and skills, the lineage from one maker to
another. This is physically described in Dogon (Mali) mythology as passing a piece of
iron from the blacksmith to the student’s hammer through the generations. It is
alternatively articulated through the increasing transmission of skills via online forums,
video demonstration and social media.
Material/medium and process: Form development specific to the material, composition,
problem solving and intuitive interaction; the conception of tools to manipulate and
transform steel. This is about what can actually be done, but also about perception of
the material because using steel means always working with the paradox of rigid and
near fluid states.
The social implications of being a maker in the 21st century: In situating my work I am
not set within a cottage industry, although the working of steel stems from a preindustrial
craft that developed into a large industry. The skills and techniques that I use
are from both eras. Craft ideology and making are now a post-industrial endeavour. My
practice is a hybrid: it embraces industrial skilling, yet is translated through a crafts and
do-it-yourself approach.
The new work produced during this project is the research outcome, a physical
interpretation of the knowledge and experience gained. It is also a continuation of the
research through making, a thread in the larger fabric of practice. The objects made
are complex compositions utilising a number of forged and fabricated forms. The
objects have a level of ambiguous utility, inviting the viewer with an aspect of familiarity,
and the potential for possible human interaction, freeing the objects of specific
classification.

Item Type: Thesis (Research Master)
Keywords: artist, Blacksmith, making, sculpture, craft, practice as research
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Date Deposited: 17 Feb 2014 22:37
Last Modified: 15 Sep 2017 01:06
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