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Abstract

Rhizoming; language of print and place aims to explore the entanglement of nature, place and culture through a woodcut installation and accompanying offshoots based on artists books and objects. The works respond to the patterns and rhythms of a suburban beach on the Derwent River in Hobart. The exhibition aims to creatively explore, through printmaking and multiples, Deleuze’s theory that rhizomes pertain to a map that is always detachable, connectable, reversible, modifiable and has multiple entryways and exits with its own lines of flight.This project was assisted through Arts Tasmania by the Minister for the Arts and by the University of Tasmania.

Item Type:	Creative Works
Authors/Creators:	Hogan, J
Keywords:	woodcuts, prints, printmaking, Deleuze
Publisher:	Craft + Design Centre
Copyright Information:	Copyright 2019 the creator
Related URLs:	Google Scholar: Hogan, J UTAS Profile: Hogan, J
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